But it also features a range of sounds the DX does not - a more LM1 type clap, that amazing 90s house rimshot and tambourine, a ride cymbal, and a second group of toms. Like the DX, the DMX has a warm bass drum, crunchy snares, boxy boogie toms, classic hi hats and shaker. ![]() And despite being digital, the filters give it an unmistakeable organic warmth, making the sounds come alive, and sit easily in a mix. All samples pass through the famous Curtis 3320 analog filter chip, and are output through crunchy, old skool converters.įrom this you might assume the DMX sounds Lo Fi - but you'd be wrong! Instead, the sound is sophisticated and classic - like a pseudo - acoustic drum set frozen in time. ![]() At the core of the DMX are 11, 8 bit PCM acoustic drum samples that have been companded (compressed and expanded) to increase their dynamic range, making the sound quality approximately 12 bit in the analog domain.
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